We’ve listened to Paganini’s Caprice No. 5 in A Minor here before. It’s a piece that’s often on my mind, as it’s one of the more “accessible” (obviously that’s a relative term, as it is still rather difficult!) of Paganini’s 24 Caprices to students. It’s built on a series of arpeggios and sequences that are not unlike the Wohlfahrt or Kreutzer Etudes that students will have studied by this point in their playing – it’s just more challenging!
Today, I wanted to take a look at two very different versions of the same piece. Both are extremely virtuosic, excellent, and exemplary. But from tempo, to bow stroke, to character and style, the two could hardly be more dissimilar. One is Sumina Studer’s amazing recording, in which she displays incredible technique in using the extraordinarily difficult ricochet bowing that most performers opt not to use for this Caprice. The other is Leonidas Kavakos’, which he approaches with raw power and prowess. Which do you prefer?